Gallery
Institution

Mariane Ibrahim

After founding her eponymous gallery in Seattle in 2012, Mariane Ibrahim inaugurated a space in Chicago in 2019, affirming her commitment to an ambitious, international artistic program. In September 2021, she opened her first European venue in Paris, followed in February 2023 with a third space in Mexico City. In January 2022, the gallery celebrated its tenth anniversary, marking a decade of growth and influence.

Since its creation, the gallery has successfully supported both established and emerging artists, including Amoako Boafo, Clotilde Jiménez, Eva Jospin, Ayana V. Jackson, Zohra Opoku, and Lorraine O’Grady, among others.

The mission of Mariane Ibrahim, a Franco-Somali art dealer and gallerist, is to champion and promote the diversity of global artistic practices, with a particular focus on Africa and its diaspora. Representing artists from around the world, she strives to push the boundaries of the creative landscape.

Mariane Ibrahim acts as an ambassador for nuance and complexity in an art market still inclined toward generalization. Although several of the emerging artists she represents come from African countries or are members of the African diaspora, Mariane Ibrahim insists that they—and by extension, her gallery—have much more to offer than simplistic regional or heritage labels.

About Mariane Ibrahim
Clotilde Jiménez, Invitation to the Altar, 2026. Photo by Alum Gálvez. Courtesy of the artist and Mariane Ibrahim.
Clotilde Jiménez: Éramos silencios

September 16 – October 31, 2026

Mariane Ibrahim is pleased to announce Éramos silencios, a solo exhibition by Clotilde Jiménez, on view in Chicago from September 16 to October 31, 2026. The exploration of the self has long been central to Clotilde Jiménez’s practice. Across his exhibitions with Mariane Ibrahim, the artist’s personal and artistic journeys have unfolded in parallel. Now, in his fifth presentation with the gallery and his second solo exhibition in Chicago, Jiménez turns to a personal narrative rooted in Puerto Rico, tracing the histories, memories, and inherited silences that have shaped his understanding of family and identity. Through painting, collage, drawing, and sculpture, the orange emerges as a recurring motif and metaphor. It evokes the sweetness and abundance of family histories, but also the omissions, secrets, and unresolved tensions that pass from one generation to the next. Like the fruit itself, lineage carries both nourishment and decay. Beneath its vibrant skin lies stories that shape a family's character and flavor, revealing how memory—and the spaces where memories falter—becomes embedded within the narratives we inherit.

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